Showing posts with label philosophy. Show all posts
Showing posts with label philosophy. Show all posts

Tuesday, 11 August 2020

Further Thoughts on the Yoga Sūtras



It must had been primarily hard for a mystic – among mystics – such as Patañjali to dress into words the understanding of experience(s) beyond the realm of immediate perception, which in a sense justifies the use of laconic language that most of the times baffles the contemporary reader. The knowledge that this ancient mystic is trying to articulate in the sūtras falls into the buffer or grey zone that forms the perimeter of the human cognitive perception amidst the chaos of concepts beyond our mental understanding[1],[2]this area can be rendered as the circumference of a cycle tainted with emotional-dreamy traits[3] [see fig. a01]. Despite our inability to articulate them, we as humans are able to physiologically grasp them by means of bodily experiential feedback. Even more so, we still possess the capacities to engage with them emotionally or develop an inherent understanding through self-reflection and dialectics. The latter, is a process that was initiated through the implementation and re-reading of the original text that lead into various approaches or descriptions known as commentaries or Bhāṣya-s.

fig. a01 the Realm of Cognitive Awareness [visualisation based on J Peterson's Biblical Lectures Youtube]

 

Back then Patañjali’s efforts to unite the shambolic ideological systems that had sprung from the earlier yoga traditions must have been a rather strenuous task. The natural, inherent tendency that we possess as humans, to cling into ideologies and self-proclaim ourselves protectors of their constricted boundaries had been immanent all around the world that Patañjali used to live in – gravely separating instead of uniting the human spirit in order to bring about something good[4]. The values of the compiled aphorisms were not a by-product of logical thinking but the fruits of a journey into the dreamy realm[5],[6].

 

Trying to make sense of the Yogasūtra-s only as a piece of literature will naturally constrict us to our narrow sphere of apprehension that is established onto things of non-firm, non-conceivable reality[7] – one will eventually act out dreams that she / he does not feel, stemming from an internal disassociation. In order to grok their meaning, studying and reading the text itself will be of little value; humans have a tendency to read and apprehend a lot, but are usually found to act along a vector pointing toward a diametrically opposite direction. Thus, practice is paramount i.e. the physical and physiological experience of the described axioms as perceived by the most apt, tangible parts of our bodies and senses. 

 

The importance of the text draws even further on. There are very clear references to what Freud conceptualized as the subconscious mind, conceptualized as God in the ancient times; an obscure layer that overrides our voluntary control mechanisms and seems to indirectly affect our conscious decisions. This idea is then transcended into the psychoanalytical concept of the human being as a fragmented puzzle of personalities with independent characteristics of which jurisdiction can hardly be applied successfully. 

 

The ineptitude to curb and discipline oneself can be magnified in the contemporary world due to the enhanced stimuli which in turn seem to be working on the unconscious mind. The very early eras of human existence that preceded Patañjali were lacking such context, and thus made it easier for people to be in closer contact with the divine [read subconscious mind]. Disassociated from the intimidating self-imposed artificial reality, early humans found solace in nature and further on through the overwhelming, altruistic offering of her juices that were amply used to mingle the human consciousness with the divine. Long-extinct plants such as soma were the primary means of melting the concreteness of reality, fusing it into the spiritual realm[8]. God, and whatever can be framed inside this notion, was manifested in the human soul, erasing any need of scripting down in literary form the rules and principles that helped toward this path. 

 

Ideologies are parasites on an underground religious [do you mean spiritual?] substratum according to which people are trying to organise their thinking; they are likened to crippled religions, wrapped and twisted, falsely representing a pure but yet inconceivable foundationNietzsche proved that when the aforementioned substratum is diffused, humanity is oscillating into extremes, magnificently represented by the clash of polarized ideological strongholds. On top of that, he thoroughly predicted the loss of millions of lives in contemporary societies, that followed the efforts to rationally interpret the dreamy or emotional states with faulty rational representations(?)

 

Little information can be obtained on the history that preceded Patañjali and the practices of yoga amidst the vedic periods [vedanet.com the original teachings of yogafrom Patañjali back to Hiranyagarbha[9]]; the very fact of the traditions’ oral character combined with our failure to sustain enough scriptural evidence makes the investigation as to what had been practically going on, even harder. Assuming that there has been worshiping of multiple different deities and thus, various corresponding representative schools – which were actually teaching the same thing in different forms - paints an image of Patañjali as a peacemaker amidst the chaos: one could easily draw connections to the role that Moses played during the Jews spiritual and physical wandering in the desert i.e. both men were encouraged to compile a set of rules, commands [in the case of Moses] or aphorisms [in the case of Patañjali] that bound the spiritual cosmonauts into a united philosophical common-ground that was fundamental in order to settle and progress through the coming eons not as fragmented sub-groups but through strength-by-unity. 



[1] This can be simply viewed as a misty realm for which nothing is known at all.

[2] Contemporaries of Patañjali have also fallen into the same trap when trying to explain something beyond human apprehension: a common example would be the translation of 4th dimension into words and / or images, a task usually performed by artists or writers with debatable results. Still, although the point is taken for granted, the actual experience is hardly generated. 

[3] This is the realm into which the mystics and artists live or pay visit when the situation demands – they are the mediators between the unknown and what we know for sureAlthough incomprehensible at first, it is possible to be rendered by employing anything humanly invented especially by means of art. Words and text is always harder to carry the meaning as such, since logos is already infected by humane memories and preconceived notions or ideas in its very essence.  

[4] Even nowadays, people around the Indian subcontinent find themselves disputing and arguing over their god-centred belief systems – with discussions leading up to misunderstandings and even brawls; there is hardly any difference when such phenomena are multiplied in global scale. 

[5] This grey area has been shaping itself since always by the extrapolation of empirical, behavioural knowledge of humanity by means of art, literature, mythology etc and as such is constituent in aiding us understand ourselves and why act the way we do. Yoga as such, provides the student with a key to open the doors of this unknown realm that seem to have been informed with the principles that shape our very human nature – and this justifies the very fact that many of her researchers have come to describe regularly as a form of art. This is what is also suggest by Joseph Campbell too [see Mythos II, ep 2]    

[6] as a yogi and physicist liked to point out to me, it is an action that very much resembles the digital cloud principles, into which one is able to connect to, find what he is looking for and then download it back into reality as we experience; these truths and values had always been there, and they will always remain there intact, so that the mediators will be able to access them, when the times demand to do so. This is also proving – up to a certain degree – how detached this entire process is, compared to the superhuman aka überman concept as developed by Nietzsche – the axioms are not developed by humans who are looking towards becoming god themselves. Although people need belief-systems in order to exist and maintain psychological and sociological stabilitythey usually incorporate such rigidity that turn their supporters into a raging, totalitarian, blood-thirsty mob

[7] One can alternatively picture this as a castle built upon moving sand i.e. unsteady foundations; living in such a place or simply trying to raise it in the first place would be impossible based on our development as a species. 

[8] The ambiguity of Vedic traditions and texts cannot solidly draw any conclusion as to which plants were used for the extracting of the sacred juice – that very much resembles practices of later customs found in the Amazon – but the significance of soma was disseminated through linguistics into the same ancient Greek word that translates as (human) body: the annihilation of the source-plant forced humanity to use and manipulate the human body as such, in order to extract the necessary liquid substance that will journey the mind to its very origin, according to Richard Freeman’s poetic account of events in the Yoga Matrix.

Thursday, 28 May 2020

Kaivalya



Because Patañjali draws such a sharp distinction between the Self [i.e. Atman or Puruṣa] and the non-Self [i.e. Body, Mind, World], regarding the former as the ultimate value, he is forced to teach a form of emancipation which pre-supposes the total extinction of man as we know him. Even if we are convinced of the reality of Puruṣa, on what grounds need we accept the idea of self-realisation as taught by Patañjali; does the realisation of this value not coincide with our extinction as beings in time and space [i.e. the 3-dimensional world as we have come to experience it]? Patañjali's is not a way of living in the world free from fear of death or loss of any kind but acquiring an otherworldly dimension of existence. The transformation of human nature as envisaged in classical yoga is entirely a process of negation of everything that is ordinarily considered as typically human [Feuerstein, tbc]. 

Overall, it feels that when Patañjali speaks about the drawing of attention inwards might as well be introducing an entire new era or dimension that would imply the cessation of humanity as we know it. The achievement of unlocking such dimensions should be constricted to the individual's subjective point of reference, which in a sense justifies the fact that reality as we have come to experience it i.e. Pṛkti has not yet seized to exist or collapsed into being a part of a broader dimensional spectrum[1] just like a painting is in our 3-dimensional world. 

I quote the text from Cixin Liu's book Death's End ["the 3-body problem trilogy"] that vibrantly paints an interesting approach of the abnormalities and expansiveness of the 4th dimension. He is clearly building upon the great former example of Edwin Abbott Abbott's novel Flatland: A Romance of Many Dimensions that intriguely renders a similar paradox transiting from the 2nd to the 3rd dimension.    


a person looking back upon the three-dimensional world from four- dimensional space for the first time realised this right away: He had never seen the world while he was in it. If the three-dimensional world were likened to a picture, all he had seen before was just a narrow view from the side: a line. Only from four-dimensional space could he see the picture as a whole. He would describe it this way: Nothing blocked whatever was placed behind it. Even the interiors of sealed spaces were laid open. This seemed a simple change, but when the world was displayed this way, the visual effect was utterly stunning. When all barriers and concealments were stripped away, and everything was exposed, the amount of information entering the viewer’s eyes was hundreds of millions times greater than when he was in three-dimensional space. The brain could not even process so much information right away [p 229].” 

In the Yogasutrā-s there are clear references to siddhis [i.e. "power-s"] such as "knowledge of things obstructed from view or at a great distance" (11:25); "disappearance from view" (111:21)[2]; among many others which bare resemblance to visual qualities that seem to be constricted from humans for physiological and physical responses to occur in the 3-dimensional world, but very much resemble the descriptions of what we can imagine as 4-dimensional space.


“The difficulty of describing high-dimensional spatial sense lay in the fact that for observers situated in four-dimensional space, the space they could see was empty and uniform, but there was a depth to it that could not be captured by language. Language is essentially semiotic, it carries meaning memory by itself and thus cannot stand against the challenge of expressing or pointing towards concepts that have not yet been assimilated, experienced, developed, found or discovered, thus making imagination and visualisation equally important. Where language fails to convey meaning, art can substitute, especially visual art due to its connection with space as such i.e. distance, perspective, depth and illusion-s of them. The characters in Liu's book go further on to say that “this depth was not a matter of distance: It was bound up in every point in space. Guan Yifan’s exclamation later became a classic quote:

A bottomless abyss exists in every inch[ibid].

“The experience of high-dimensional spatial sense was a spiritual baptism. In one moment, concepts like freedom, openness, profundity, and infinity all gained brand-new meanings” [ibid].

[as the science fiction author points out] the danger of the 4th dimensional space is that simply, once you get to experience it for long you would never come back from it

It is clear so far that the human mind cannot grasp the tremendous amount of detail and information that is built-up with the addition of an extra dimension, very similar to how the circle would never able to absolutely grasp the idea of a sphere. [Similar to what was described in Flatland] we should be able to get a glimpse of 4-dimensional projections to our 3-dimensional world. Naturally, a 4-dimensional object projected in our reality would be reduced into the 3-dimensional rules just like our own very shadows unfold on a piece of paper or any other surface. The current state of consciousness would not enable us to appreciate even a millionth of a fragment of the 4-dimensional object, however, even the possibility of stumbling across such an entity would be mind-blowing. Stillness of all bodily and physiological functions is proven to have been dissolving the mind and thus, enabling individuals to enter higher states of consciousness which are usually described by means of other dimensions[2]. "Upon realising samadhi we become free of perspective; thus, free to create new perspectives, because the self is not invested in it or attached to a particular view point[3]". 

Meditation techniques as such might be critical to understand what is beyond our constricted senses allow us to perceive as real, but what's more, they might as well be the answer to the technological bottleneck of the contemporary science regime.  
___
[1] I suggest you listening to Seth Powell and Chase Bossart's conversation on the multi-layered readings of the Yogasutrā-s here.
[2] Hawley, D. The Dimension Beyond Space and Time. online article accessed May 2020.
[3] transcript from Samadhi documentary-series in gaia.com accessed May 2020 [00.49.30]. 

Friday, 15 May 2020

Changes in Contemporary Aṣṭāṅga Vinyāsa Yoga

From where my Guruji i.e. T Krishnamacharya left, I proceeded. I want my students to proceed from where I left. That’s all, that’s as simple as it is. Science is progressing. Art is progressing. So, yoga as being an art, a science, it has to progress. Otherwise there is a stagnation again. There is a mingling of the western feeling in the eastern mind which is contributing in the evolution of yoga[1]



The following important changes are occurring in Aṣṭāṅga now.


01 Anatomical Knowledge Expansion A higher level of training of teachers in yogic anatomy and how to adapt it to individual student’s needs. More teachers are learning how anatomical knowledge must inform technical instruction in Guided and Mysore style classes. "Knowing the anatomical limitations of bodies, which adjustments are unsafe and how far the safe ones can be taken. This is not something that can be learned by watching or simply by adjusting. It can be learned from somebody who is a long serving teacher/ practitioner and at the same time has done formal training in anatomy. Unfortunately, students are often hurt because teachers believe no formal study is required[2]". 


02 Individual Uniqueness framed into Universal Principles 


Understanding the differences between bodies and how they must be accommodated by altering the sequences if necessary. Many students have left Aṣṭāṅga for good because their teacher could not or would not modify their sequence. There are however, two 2 plusuniversal principles that I have distinguished so far through the years of practice namely 01 force transmission and 02 energy cycles which apply to everyone beyond individual uniqueness-s or special characteristics that might exclude him / her for certain āsana guidelines. These concepts are not naturally a self-discovery but more of a combination of two separate approaches experienced in the world of physiology.


A Force Transmission 


Force transmission can be understood as a wave-like motion of force through the body produced by a counter-force of equal measure i.e. a simple expression of the third Newton-ian law in the kinematic chain of muscles and non-tendinous connective tissues or fascia of the human body.

A practical understanding of this would be the following examples: the harder the press on the ground through the feet, the higher you shall jump. The stronger the push on the ground through the leg the stronger the kick on the opponent. Force travels through action and counter action in open or closed kinematic chains that produce various effects. 

Equally, when practicing yoga and especially what we have come to experience as T Krishnamacharya’s legacy format-wise it is currently one is bound to the somehow be in contact with the ground and some part of his body. To keep things simple, let us approach the scheme through a fairly simple standing posture such as Paścimottānāsana.


"Teachers should look more for force transmission instead of right alignment" [ref Fields J. during her interview in the J Brown podcast]. "Force that is not converted into movement does not simply disappear, but is dissipated into damage done to joints, muscles, and other sections of the body used to create the effort" [Feldenkrais 1987 p 58], thus it is necessary to frame the concept of force transmission into the effects of the energetical cycles see next paragraph.


 B Energy Cycles 


All āsanas are designed to form energetic cycles – especially postures where the hands are connected to the feet. The earth being receptive draws out energy. These cycles are thought to have a profound influence on the pranic sheath pranamaya kosha which is reduced when the energy flow is interrupted through belts and straps putting their use into question.


"When properly directed and graduated, the amount of energy needed to perform an āsana is considerably less and thus allows one to flow easier through the demanding vinyasas and āsanas of the series. Energy not converted into movement turns into heat within the system and causes changes that will require repair before the system can operate efficiently again" [Feldenkrais 1987 p 58].


The use of a strap or belt might seem like an easy solution for students with certain difficulties, however as pointed by K P Jois the use of props interrupts the energy cycle of the posture [2006 p 65]. I personally find the use of props equally therapeutic only when supplementing the work of the student and not when implemented to abide to a systematized framework of impossible physiological geometry-ies.   


C Amalgamation 


These concepts are not new as such, nonetheless, when combined they form a clear picture on how āsana should be approached overall. Force transmission should be contextualised and understood in the closed-kinematic-chain[3] framework that characterises yogāsana applying the energy cycling concept.


During one’s practice it is fundamental 01 to harness the energy from the earth or ground upward see force transmission 02 lock it in using the work on the bandhas and 03 recycle it through the body in the means of āsana work. The effects of this energy span from a building strength and flexibility to b nourishing the muscles and internal organs with therapeutic or healing effects in the long run.


During this entire process there is another factor that comes into play, that of resistance i.e. the amount of opposition one is experiencing towards achieving a physical goal. Resistance just like the previous principles although ubiquitous is not a constant for every person, its value fluctuates according to the special characteristics of the musculature of each student along with their past experiences and habits. It is valuable in the postural yoga since it provides feedback for physical intensity[4], mental blockage-s and internal focus. 


[1] BKS Iyengar interviewed in the UK: https://www.youtube.com/watch?v=R_gw-T9oSJw&list=WL&index=26
[2]Maehle, G (2020b) ‘Gregor interviewed in the Japanese Yogini Magazine’, March 28, available at: chintamaniyoga.com, accessed at: 28 March 2020.
[3] there are two 2 kinds of kinetic chain exercises i.e. open and closed. In open kinetic chain exercises, the segment furthest away from the body — known as the distal aspect, usually the hand or foot — is free and not fixed to an object. In a closed chain exercise, it is fixed, or stationary definitionby healthline.comWith the exceptions of very specific āsanas yoga is fundamentally characterized by close kinetic chain movements that cycle energy through the body.
[4] Remember that above all, muscles speak the language of tension [CavalierJinterview in London Real WebTV] and not the side diagrams of a yoga manual or of a sequence cheat sheet. The most complicated yoga postures can easily be segmented into simpler principles which are gradually synergistically combined to bring the results we see in advanced practitioners.